Marian Anderson Biography
Anderson became an important figure in the struggle for black artists to overcome racial prejudice in the United States during the mid twentieth century. In 1939, the Daughters of the American Revolution (DAR) refused permission for Anderson to sing to an integrated audience in Constitution Hall. The incident placed Anderson into the spotlight of the international community on a level unusual for a classical musician. With the aid of President Franklin D. Roosevelt and First Lady Eleanor Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C.. She performed before a crowd of more than 75,000 people and a radio audience in the millions. Anderson continued to break barriers for black artists in the United States, becoming the first black person, American or otherwise, to perform at the Metropolitan Opera in New York City on January 7, 1955. Her performance as Ulrica in Giuseppe Verdi's Un ballo in maschera at the Met was the only time she sang an opera role on stage.
Anderson was also an important symbol of grace and beauty during the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. She also worked for several years as a delegate to the United Nations Human Rights Committee and as a "goodwill ambassadress" for the United States Department of State. The recipient of numerous awards and honors, Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.